Read as a text with no performer attached. A speaker just off a federal sentence, living under a supervising officer's rules, announces a comeback that has barely begun and treats every slight from his absence as a debt. All reasoning below works from a paraphrase of the words, with coded terms decoded plainly.

-78. The felt register is menace and conquest, set after custody. The pressure of the song is that of a man enjoying his threats.

Head noun: war cry. A homecoming war cry from a man just out of federal custody, promising death to informers and rivals and treating women as trophies of the comeback. DOMINANT ARC + Posture Arc: return from custody, debts called in, display of rank, two brief drops of the guard that convert at once into money and a burial vow, a close that calls the whole display shooting practice and claims a perfect aim. Posture: returning convict claiming rank through threats -> the same. No movement between opening and close.

negative_payload. The harm is the content of what the narrator says and does, and the payload sets the tier.

Rules: 20 enumerated, 4 fire. R5(a) fires. The narrator is the actor. He instructs others and threatens in present and future tense, so that payload counts at full weight. The arrest, sentence, supervision and mourning stay as reporting and carry no down-weight. This is a reclassification, with endorsement separated from reporting. R8 cumulative principle fires. Threats, sexual contempt and display recur throughout, and the street origin is claimed as identity. The recurrence is the dominant arc, and violet-04 and violet-05 stay closed. R13 fires. Profanity and slurs are aimed at rivals, informers and women, and the cruelty survives the strip. Grades at red-04 weight. R17 fires. Celebrity, athlete, brand and film references are simile furniture. Strip them and the reading stands with every referent removed.

Ego: -80. Pervasiveness: pervasive. Transcendence: 5. The harm axis reflects threats, contempt and display saturating nearly every couplet. The transcendence axis registers only the two brief admissions of hurt, which do not develop.

Corrupted: enumerated, 7 fire. red-01: a commanded sex act and a sexual pun. red-03: a demand for a rival's severed head, knife fighting, burial threats, the shooting close. red-04: contempt for informers and rivals. red-05: taming women offered as a lesson, cutting off one who strays from her role. red-06: payback for slights during his absence and for the informant. red-07: sentenced over a gun, holds one again and keeps the drug supply. red-08: a woman passed around the crew as a joke. Does not fire: red-02, red-09, red-10, red-11, red-12, red-13. Elevated: enumerated, 1 fires. blue-06, narrowly: two lines of hurt over the sentence and lost crew members. The hurt converts at once into spending and a burial vow, and accountability stays absent.

Precedents: -78, -83. Center: -80. Kept: -78, for first-person contempt, dominance display and violence imagery with the payload setting the tier. -83 only as a ceiling, through its clause that stacked corrupted lifestyle tops out near -82. Rejected: -92, since threats arrive as amused punchlines among wealth boasts, rage is absent as engine, and dehumanization is recurring but unsystematic. -97, since no sincere extermination purpose is present. -83 as main frame, since sex is one strand and only the ceiling clause survives. -75, since women are one strand, with no roster as engine and no closing wish. -65, which stops short of violent contempt, a line this song crosses. -48-appraisal, since there is no courtship thread and subjugation and threats are present. -45, since there is no coping intoxication and the custody frame is setting. +12, since the crew claim is a minor strand.

sat +1: threats, contempt and display saturate nearly every couplet. res +1: closes and outros on the shooting boast. reg -1: stock simile punchlines, conventional boast rhetoric. reach 0: personal rivals and informers, same scope as the anchor.

None. Pervasive payload on a Corrupted read, so the modifier cannot attach. Dogma: false. The oath on God and the pastor as a figure for death are idiom. Intoxicated: false. Drug references are trade, and the one smoking reference is a claim of abstaining.

Corrupted territory, between -78 and -83, because the narrator's own threats, sexual contempt and wealth display recur through the whole song while the custody frame supplies only its setting. Confidence: 0.9.

Aligned. The visceral reading and the structured read land in the same territory.

Corrupted territory, between -78 and -83, because the narrator's own threats, sexual contempt and wealth display recur through the whole song while the custody frame supplies only its setting. Confidence: 0.9.